Alessandro Guerzoni was born in Italy and gradueted in singing at the Conservatory G. Verdi in Turin with Battaglia and then specialized at the Accademia Pescarese with Gallo and at the Mozarteum in Salzburg. Now he is studying with Giaiotti.
He has sung all over the world, opposite highest reputation conductors and directors, in roles such as: Timur in Puccini’s Turandot in Florence under Zubin Mehta, in Bari and Bologna with the direction of De Simone, at Festival Pucciniano in Torre del Lago, Scaparro director, in Genova Montaldo director and then in Bilbao; Colline in La Bohéme in Bruxelles with A. Pappano/Loy, at San Carloin Naples, in Genoa, in Turin, in Edimburgh, in Luxembourg; Angelotti in Tosca in Florence and Tokyo with Zubin Mehta, in London under the baton of Oren, in Rome with the direction of Zeffirelli, all’Arena di Verona con la regia di De Ana e la direzione di Armiliato; Banco nel Macbeth di Verdi a Barcellona; Sparafucile nel Rigoletto a Torino, in Parma, Edimburgh, Glasgow and Köln; Re in Aida in Roma under Lombard; Pistola in Falstaff Harding conducting and Carsen directing at La Scala in Milan and in Tokyo; Sarastro in Die Zauberflöte in Köln; Commendatore in Don Giovanni with Peter Brook/Claudio Abbado in Aix- en- Provence and with Harding in Milan, Tokyo, Lyon and Stockholm, under the baton of Soudan and the direction of Zeffirelli in Rome, with Ono in Tokyo, under Jacobs in Paris , Innsbruck and Baden-Baden, also recording in CD and DVD for Harmonia Mundi; Leporello in Don Giovanni in Köln; Bartolo in Le Nozze di Figaro Domingo conducting in Los Angeles; Don Basilio in Il barbiere di Siviglia in Cagliari; title role in Mosé in Egitto at Opera di Roma; Raimondo in Lucia di Lammermoor Vick director, Campanella conductor in Turin; Giorgio in Bellini’s I puritani in Barcelona; Conte Rodolfo in La sonnambula in Turin; Drago in Schumann’s Genoveva with Ferro/D. Abbado in Palermo; Frére Laurent in Gounod’s Roméo et Juliette in Turin; Le Roi in Prokofiev’s L’amour des Trois Oranges in Köln.
Among his concert repertoire, he has sung in Puccini’s Messa di Gloria under the baton of Pappano in Bruxelles; Mozart’s Requiem again with Pappano in Bruxelles, with Gelmetti in Siena, with Frans Brüggen in Perugia, with Scimone in Verona and with Myung-Whun Chung at Accademia di Santa Cecilia in Rome.
Recent engagements include: Macbeth (Banco) in Barcellona; La Bohème (Colline) at the Teatro San Carlo in Naples; Rigoletto (Sparafucile) in Vienna (Staatsoper) and Turandot (Timur) at the Torre del Lago Festival.
Plans include: Nabucco in Lille and Djon, Turandot at the Puccini Festival in Torre del Lago, Il Barbiere di Siviglia and Rigoletto in Cagliari.